The Slavic world was a place of long, flat plains and high winds. In such a place of grass and sky, one of their most feared and revered gods was Stribog, god of the winds. Known as the grandfather of the eight directions of the wind, Stribog’s influence touches everything from the changing of seasons to the fates and fortunes of humankind. His role in Slavic mythology is both profound and essential, embodying the capricious nature of the winds and the dynamic forces of nature.
Master of the Winds and Their Spirits
Stribog is not merely a god of the generic winds; he is the progenitor and ruler of the specific winds that blow from the eight cardinal directions. Each wind is personified by one of his grandchildren, who carry distinct personalities that mirror the characteristics of the winds they command. These range from the biting chill of the North wind, known for its harshness and its ability to herald the cold of winter, to the soothing and warm breezes of the South wind, which bring relief and a hint of spring or summer warmth depending on the season.
These grandchildren reflect the diversity of the wind’s effects on the earth, from invigorating gusts that signal change, to gentle zephyrs that whisper through the trees, each imbued with a unique essence bestowed by Stribog.
The Changing Winds of Fortune
Stribog is also seen as a distributor of wealth and fortune, riding the winds of change. It is said that when the winds shift, so too might the fortunes of people shift, reflecting the unpredictable nature of fate and the influence of the divine. This aspect of Stribog highlights his role as a deity who can alter circumstances through his command of the winds, underscoring the belief that divine forces can have a direct impact on human lives.
Bringer of Storms and Seasons
Stribog’s powers extend beyond gentle breezes and fortunate gusts. As a formidable force of nature, he can summon storms complete with thunder and lightning, showcasing his might and his integral role in the weather patterns that affect the earth. His close association with Perun, the god of thunder, emphasizes this point; Stribog is often depicted as Perun’s right-hand man, instrumental in gathering thunderclouds and driving the rains that sustain life and cleanse the earth.
Moreover, Stribog plays a crucial role in the changing of the seasons. He is said to carry the deities Jarilo and Marzanna on the equinoxes, facilitating their journey across the skies and thereby aiding in the transition from winter to spring, and from summer to autumn. This function underscores his importance not just as a weather god, but as a key player in the cosmic balance and the cycle of the seasons.
Depictions of Stribog
Visual representations of Stribog often portray him as a strong yet elderly man, clad in flowing white robes that symbolize the clouds and the purity of the air. He is frequently shown carrying a large horn, with which he summons his grandchild winds. Imagery of Stribog typically includes elements of the sky, such as clouds, and sometimes scenes of blowing wheat fields beneath him, symbolizing his influence over agriculture and the natural world.
Stribog’s domain over the winds and his impact on the world encapsulate the Slavic reverence for nature and recognition of its power over human lives. As the grandfather of the winds, Stribog is a central figure in Slavic mythology, respected and revered for his control over the elements and his ability to bring about change—whether in weather, fortune, or the transition of the seasons. His enduring legacy in Slavic culture serves as a testament to the ancient and ongoing human attempt to understand and personify the forces of nature.
If you like what you’ve read so far, consider entering your email to join my FREE Reader’s Club.Reader’s Club members will receive a free ebook, and also monthly emails containing book reviews, the latest installments in my “Slavic Spirits” blog series, and updates on my works in progress, and much more!
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This blog post includes text and images generated with the assistance of OpenAI’s models. I provided detailed prompts, curated the outputs, and made edits, but the majority of the content was created with AI assistance. This disclosure aligns with my commitment to transparency under the EU AI Act.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Portions of this content were generated using OpenAI’s models, with significant curation, editing, and creative input by E. S. O. Martin. AI-generated portions may not be subject to copyright under current laws.
Every January I like to pause a moment to look over all I accomplished the previous year, and dream about the future. Without further ado, her we go!
Writing Accomplishments of 2024
Last year was a big writing year for me, with several notable publications.
What We Talk About When We Talk About the Apocalypse is a short story collection about disappointment and renewal. These are short stories written over the course of 17 years, and also hand-illustrated by me. What We Talk About is now available in print and ebook! Click on the link above for more information.
The story of Quest for Aeloria was a concept of my son’s and it involves a young boy with cat-like abilities going ton a quest with his friends to rescue their parents and overthrow a tyrannical king. You can check out the link above to learn where to get your copy.
Writing Goals for 2025
In 2024, I started blogging more regularly and my efforts have mostly been split between writing Reviews and my Slavic Spirits blog series. I plan to continue blogging weekly. Blogs are posted at 7 a.m. on Saturdays, but you can also sign up for my Reader’s Club newsletter to receive a monthly email from me about writing updates, and with a rundown of what got posted that month.
Slavic Spirits is a bi-monthly dive into Slavic myths, folklore, history, and fairy tales. These blog posts are my opportunity to learn about my heritage (I am Polish-American) and also share what I’m learning.
Once I have enough material, I plan on turning this material into a children’s book sometime in 2026. I have already received emails and international interest in my blog series, so stay tuned for more entries and updates to come!
The Wood Maiden is a young adult, historical fantasy novel set in Central Europe during the 19th century partitions of Poland. It is the story of Dąbrowa, an orphan in Pomarania who discovers that she is a leshy—a tree-shifter. With the help of her young friend, Ancia, and Ancia’s Faceless Doll, Dąbrowa meets ghosts, rusałki, wodnik, vampires, werewolves, and sorcerers, and dragons as they travel across three empires in the hopes of getting to Zaświaty, the magical otherlands, where Dąbrowa and Ancia hope to attend a school for magical creatures and half-breeds.
This novel has been multiple years in the making. The idea started as a writing exercise in 2020, and in 2023 I attempted to write it as a short story. However, the more I learned about Polish history and Slavic mythology, the more I wanted to fully develop this world. I have been working on this book steadily throughout 2024. I have also been hand-illustrating this book. I hope to finally publish it this year.
Reader’s Club members will receive a FREE early access ebook copy of The Wood Maiden once it is completed.
Health Updates
As some of you know, I’ve had some issues with my health over the previous years. You can read my full 2022 blog post here: “You Only Get One Body. Take Care of It.” I’ve been working hard to maintain a healthy vegan diet and exercise routine.
I’m happy to say that all my efforts are paying off! At last physical, my doctors said that my health markers are all excellent and to keep doing what I’m doing.
Moving into 2025, I plan on continuing my vegan diet, and also continue doing resistance training three times a week, and jogging three times a week.
Travel
Last year was very special because my family had the opportunity to go on multiple vacations after years of not traveling. We drove to Texas to see the eclipse, and then to the Pacific Northwest to see the landscape and visit some friends. I absolutely fell in love with the Pacific Northwest. So much green! There were waterfalls that literally brought me to tears because they were so beautiful.
We also went on a bunch of ebike rides around the San Francisco Bay Area, where we live. We bought the bikes a couple of years ago, and they have brought us so much joy. Ebikes are definitely my favorite mode of transportation!
This year, my son, mother, and I have a big trip planned. We are going to Poland! I am very excited about getting to visit my mother’s country of origin. I haven’t been to Poland since 2006, and I haven’t been in Poland with my mother since I was a toddler. I’m very excited to see the country and how it has changed these past 19 years.
My only wish is that the American bike infrastructure was better. Bike paths cost a fraction of most roadways.
Polish Language Studies
In 2024, I spent at least a hundred hours reading, studying, grammar and vocabulary, and doing listening immersion in Polish. I would estimate that I’m an early B1 level in Polish as far as my comprehension, but I still have a long way to go before I will be fluent. This is definitely one of my major goals for 2025.
One of the major roadbumps I ran into in my Polish studies is that is really difficult for me to study Polish and write in English at the same time. They both use latin script, but the phonetic spelling and grammar structures are different enough that it has been hard for me to toggle between the two languages.
In my brain, it feels like thoughts and concepts do not exist in a place of words. It’s like they are floating in the air above a steep mountain range. I have to catch the ephemeral concept, and then make a decision about which side of the mountain range to descend to in order to describe the concept in a word—do I choose the English side or the Polish side? Crossing back and forth over this mountain range is hard, and my brain seems to want to stay on one side or another.
In talking to other bilingual people, this seems to be a common problem when one of the languages isn’t quite strong enough. My mother said that when she was learning English, she suffered through a full year where she had a difficult time speaking in either language—her native Polish and her target English.
A colleague of mine said that she struggled with switching between languages until she really started working on shoring up her weaker language by reading a lot in her target language to get them both at parity. I think this is what I should do too.
My goal for 2025 is to really lean into my Polish studies. I feel like I finally have enough vocabulary that I can pick up some Polish copies of my favorite books and start reading them.
Since I’m planning on visiting Poland later this year, I feel tremendously motivated to improve my listening and speaking ability.
My big wish for 2025 is to get my Polish as close to B2-level as I can.
Knitting
In 2024, I started knitting again after taking more than 10 years off from it. A lot changed in 10 years! I have thoroughly enjoyed bringing this hobby back into my life. You can read some of the following essays I’ve written about it:
Reading has always been a central force in my life, and it has only grown bigger these last few years now that it’s so easy to check out ebooks and audiobooks from my library. Freed from the financial constraints of paper, I can read as widely and prolifically as I wish.
Since 2020, I have been reading and listening to multiple books a week. I keep a list of the books I read, when I finished them, my rating, and what genre they are in. If a book doesn’t grab me by 10%, I put it on my DNF (did not finish) shelf. I only count books in my “read” pile if I made it past 40% and at least read the ending… but it pretty much always meant that I read the book all the way through.
In 2022, I read 166 books.
In 2023, I read 153 books.
In 2024, I read over 140 books, three of which were in Polish. I mostly read Polish history and YA fantasy.
I have been having an incredible time writing Reviews of some of these books and series. I feel like the review process is a brief and beautiful marker of my reading journey.
This year, I expect the overall volume of books I consume to drop considerably as I switch from reading and listening to books in English to reading books in Polish, which is my weaker language. If I can manage to read through 10 novels in Polish in 2025 I will feel pretty accomplished.
If you like what you’ve read so far, consider entering your email to join my FREE Reader’s Club.Reader’s Club members will receive a free ebook, and also monthly emails containing book reviews, the latest installments in my “Slavic Spirits” blog series, and updates on my works in progress, and much more!
In the heart of Krakow, in a courtyard of Wawel Castle, lies a legend that intertwines Eastern mysticism with the modern fascination for the esoteric—the legend of the Wawel Chakra. Rooted in theosophical beliefs, the Wawel Chakra has become a focal point for tourists drawn to the spiritual and the supernatural.
Theosophical Foundations and Eastern Influence
The story of the Wawel Chakra finds its origins in the interwar period of the 1930s, a time when the Theosophical Society, inspired by the teachings of Helena Blavatsky, sought to uncover universal truths that transcended conventional religious and national boundaries. Blavatsky’s philosophy, which integrated elements of Eastern religions like Buddhism and Hinduism, emphasized concepts such as reincarnation, astral projection, and the manipulation of cosmic energy—ideas that came back into vogue during the New Age movements of the 1970s and 1980s.
The Discovery of the Chakra Stone
The urban legend of the Wawel Chakra began to take shape in the 1930s, following a curious incident involving two Indian visitors at Wawel Castle. According to newspaper accounts, these individuals were inexplicably drawn to a nondescript corner of an empty courtyard within the castle grounds. They claimed that this site housed a ‘chakra stone,’ a powerful source of positive energy that cast a protective aura over Krakow. This stone, they asserted, was a direct conduit to the earth’s spiritual energy, making Wawel not just a historical fortress but a sacred space of profound spiritual significance.
Architectural and Mythological Synergies
The intrigue surrounding the Wawel Chakra is further amplified by the architectural and mythological context of Wawel Castle. The site itself is a vertical stack of cultural and spiritual significance: from the legendary dragon’s den at its base, through the royal residencies, up to the church that crowns the hill. This alignment is thought to mirror the chakras in the human body, from the base needs to higher spiritual connections, thus enhancing the mystical allure of the location.
Global Context and the Earth’s Seven Chakras
The notion that the Earth possesses seven chakras, or energy vortices, is a staple of New Age belief, with Wawel Castle claimed as one of these pivotal points. This network of Earth chakras includes other historically and spiritually significant locations such as New Delhi, Mecca, Delphi, Rome, Velehrad, and Rishikesh. Each of these sites is thought to contribute to a global balance of spiritual energies, with Wawel uniquely representing the protection and healing energies due to its chakra stone.
Modern-Day Pilgrimage Site
Today, the Wawel Chakra continues to attract those interested in the metaphysical aspects of energy and spirituality. New Agers, spiritual seekers, and modern-day occultists make pilgrimages to this spot within the castle’s courtyard, hoping to feel the surge of energy said to emanate from the ground. For many, it’s a place for meditation, energy healing, or simply a spot to connect with the divine energy believed to be concentrated there.
Whether viewed through the lens of historical curiosity or spiritual journey, the Wawel Chakra stands as a testament to Krakow’s layered history, where ancient myths and modern spirituality converge, making it a unique tourist destination that offers more than just a glimpse into Poland’s past, but a doorway into the world’s mystical heritage.
If you would like to know more about Krakow’s mythological history, you might also enjoy my blog posts on the Wawel dragon, Queen Wanda, and the Trumpeter of Krakow. You can find these blog posts, and many more, in my “Slavic Spirits” series. Consider subscribing to my free Reader’s Club newsletter to get monthly emails with new entries in my Slavic Spirits series, book reviews, and updates on my works in progress.
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This blog post includes text and images generated with the assistance of OpenAI’s models. I provided detailed prompts, curated the outputs, and made edits, but the majority of the content was created with AI assistance. This disclosure aligns with my commitment to transparency under the EU AI Act.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Portions of this content were generated using OpenAI’s models, with significant curation, editing, and creative input by E. S. O. Martin. AI-generated portions may not be subject to copyright under current laws.
Princess Wanda was the third child of the legendary King Krakus, under whose reign the Wawel dragon was was defeated and the Polish city of Krakow was founded.
The tale of Queen Wanda begins with a familial tragedy that saw her rise to prominence after the downfall of her brothers. When her eldest brother, Lech, was slain and her middle brother Krakus II was exiled, there was a vacancy in the succession to the thrown. Even though Wanda was a girl, she was the last remaining child of King Krakus and so she became the heir apparent. When her father passed away, Wanda was crowned queen, stepping into a role that was seldom filled by women in that era.
Defiance and Dignity
Queen Wanda was renowned not only for her striking beauty but also for her sharp intellect and formidable wisdom. Her rule came at a time when surrounding kingdoms were steeped in misogyny, doubting a woman’s capability to govern with competence. Wanda’s reign was continually scrutinized by those who believed her throne was an opportunity for conquest through marriage.
Determined to safeguard her autonomy and the independence of her realm, Wanda rejected every suitor who sought her hand, viewing their proposals as veiled attempts to usurp her power. This string of refusals culminated in a significant conflict when one scorned suitor took her rejection as a personal affront. Humiliated, he vowed to conquer her kingdom and claim her crown by force.
Victory on the Battlefield
The tyrant amassed a formidable army and marched toward Krakow, intent on overthrowing Wanda. Undeterred, Queen Wanda donned her armor and led her own troops to meet the invasion. Legends recount how her presence on the battlefield, both regal and resolute, caused many of the enemy soldiers to hesitate, struck by her bravery and allure. Moved by her courage and the just cause she represented, several laid down their arms, unwilling to fight against such a monarch. Overwhelmed by the collapse of his forces and consumed by his disgrace, the invading prince took his own life.
A Legacy of Peace and Prosperity
Following this decisive victory, Queen Wanda continued to rule her kingdom with a focus on justice and wisdom. Her reign is marked by a period of prolonged peace and prosperity, during which she never married nor bore children, earning the epithet of the “virgin queen.” Her leadership style, characterized by fairness and foresight, won her the adoration of her subjects and ensured her place as a pivotal figure in Slavic folklore.
Eternal Rest and Remembrance
Queen Wanda’s death marked the end of an era, but her legacy was immortalized by the construction of the Wanda Mound on the outskirts of Krakow. This large burial mound, a tribute to her life and reign, remains a symbol of her enduring influence and the respect she commanded.
Today, Queen Wanda’s story is celebrated as a testament to the power of leadership that transcends gender barriers and as a narrative of independence that resonates through the ages. Her life serves as an inspiring reminder of the strength of character and the pursuit of sovereignty, echoing through the corridors of time as a beacon for future generations.
If you liked this story about Queen Wanda, you might also like to read about the legendary dragon of Krakow. You can find more stories like this in my “Slavic Spirits” blog series. Consider subscribing to my free Reader’s Club newsletter to get monthly updates on new blog posts, book reviews, and my works in progress.
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This blog post includes text and images generated with the assistance of OpenAI’s models. I provided detailed prompts, curated the outputs, and made edits, but the majority of the content was created with AI assistance. This disclosure aligns with my commitment to transparency under the EU AI Act.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Portions of this content were generated using OpenAI’s models, with significant curation, editing, and creative input by E. S. O. Martin. AI-generated portions may not be subject to copyright under current laws.
Although I have a lot of experience knitting, I still make mistakes all the time.
Every garment I have ever knitted has included at least one mistake. Some of them are minor enough to ignore and some are major enough that they need to be ripped out and redone. But in the choose-your-own adventure game of knitting, learning to embrace these mistakes is part of the fun.
My mom said that one of the best sweaters she ever knitted involved turning a mistake into a feature.
She was three quarters of the way through the torso of a bottom-up sweater when she realized she wasn’t going to have enough yarn to finish it. With strategic planning, she added widening stripes in a second color and between the two colors, she had just enough yarn to finish the sweater. Problem solved! She said she used to get compliments on that sweater all the time.
Every sweater I’ve ever made has been a learning opportunity.
In elementary school, I made myself a cowl-neck pink sweater, only to discover that I hated the way the Pepto Bismol pink yarn looked on me. No more pink sweaters for me!
In college, I knitted a “Charlie Brown” sweater out of yellow yarn and black for the zig-zags. I didn’t know how to carry my floats across the big changes of color, so what I ended up doing was knitting the sweater in yellow and then using a tapestry needle to embroider the black stripes as a second layer of needle-point. I later sold this sweater and the young woman who bought it was so thrilled she put it on immediately after purchasing it, even though it was 90 degrees outside. (My only regret is that I wish I had taken a picture of it before I sold it.)
In college, I knitted my first Aran cable sweater. I made the design and pattern myself using graph paper and multiple swatches. This sweater took me nine months. I am so proud of this sweater. It is definitely a flex item that I whip out to show people — “See! I can knit!”—even during the years when I didn’t knit.
But even with this personal masterpiece, you can see a mistake where I forgot to cross one of the cables. I didn’t notice it until several inches past the mistake. At that point, I had a decision to make: I could either unravel several days-worth of work, or I could just accept the imperfection and move on. That’s what I did. Now, with the help of YouTube, I know how to fix this type of mistake by only unraveling a small portion, and not the entire sweater.
One of my favorite sweaters is this blue raglan zip-up cardigan I made for my husband. I love everything about it: the colors, the fit, the style. I got the free pattern on Knitty. With this sweater, I learned about using smaller needles for the ribbing, and how to knit a double-layered hem and stand-up collar. It fits my husband perfectly.
He even has even worn it to the office. “Ooh, somebody loves you!” the office matrons would exclaim. Out of all the sweaters I made, this is the closest I’ve come to perfect execution. But even here, I can’t help but notice my sloppy finishing—how I didn’t choose a matching color thread for the zipper, so my stitches are still visible. (Note: This sweater was immune from the Sweater Curse because I made it after we were already engaged.)
Around this same time, I also knitted a red sweater for my brother. It was also a raglan-sleeve cardigan with a front zipper, and it had a beautiful eyelet design on the sleeves. Unfortunately, I did not wash both the sweater and the zipper before I sewed the zipper in. The first time the cardigan got washed, the cotton yarn of the sweater stretched out and the zipper remained the same, so the whole front of the sweater looked puckered and bunchy. The zipper had to be ripped out, and I never got around to sewing it back in, so now it’s a loose cardigan. Nevertheless, my brother still has the sweater, and he still wears it once in a while, even though it’s been fifteen years since I gave him that sweater.
The green wool sweater I made for my husband for our first anniversary was a lesson on why it is so important to a) ensure your gauge is correct before you begin casting on, and b) try things on as you progress. I bought eight skeins of premium hunter-green wool. In my enthusiasm as a newly married woman, I didn’t bother with making a gauge and instead cast on the recommended stitches in the pattern. I knit it in the round, and the proportions looked right to me sitting on my lap. What could go wrong?
What I should’ve done is stop at the bottom 4 inches, put it on waste yarn, and have my husband try it on. At that point, I would’ve seen my error. But that’s not what I did. I didn’t stop to check the measurements until after the sweater was already completed and sewn together. And then… oh no! The gauge was totally off.
My husband has the physique of a tall viking. He is six foot three and weighs 200 pounds. He fills a doorway. He is tall enough to reach up and touch the ceiling in most rooms. But even this sweater looks like it was made for a man four times his size. The sleeves hang down to his knees. It pools around him like a wizard’s robe. Who did I make this for? The Jolly Green Giant?
My sweet husband—the darling man!—still adores this sweater. This is his cozy-oversized comfort sweater. This is what he puts on in winter (with the cuffs rolled multiple times) as we all cuddle on the couch as a family to watch a movie.
For years, I would look at the sweater and the perfectionist knitter part of my brain sometimes thinks about unraveling it and trying again. But then I look at my husband’s face… how happy he is, and how loved he feels every time he puts on this sweater. And I know I will never unravel this sweater. My husband loves this sweater just as he loves me: flaws and all.
That being said, writing this blog post inspired me to give it another go. With the experience I’ve gained since knitting my husband his oversized sweater, I realized I only need to unravel the sleeves just a little to shorten them. With my husband’s permission, I shortened the sweater sleeves and sewed them back on. It only took me about 20 minutes, and now the sweater fits him perfectly. This goes to show that even after 15 years of marriage, it’s never too late to make adjustments if you’re willing to put in the effort.
The year of The Big Green Sweater, I used the leftover green yarn to knit my mother a shawl-neck pullover. It was a Debbie Bliss pattern that I absolutely loved. (I love her patterns.) But this particular pattern came with a slight flaw where the capping on the set-in sleeves is a little too long and the result is that when you sew it all together it kind of looks like it has puffed sleeves… or like it needs some rad 1980s shoulder pads. As soon as she put it on, I could see immediately that it wasn’t quite right.
Like a good mother, she oohed and aahed over the sweater. She even fixed it somewhat by using a needle and thread to sew a tuck into the shoulder to hide the extra fabric.
But the twist came ten years later, when she gave me a Christmas shawl made from…. “Oh my god! Is that my green sweater?!”
I couldn’t believe it. She had unraveled my green wool sweater, turned it into a poncho, and re-gifted it back to me. Such is the danger of giving a knitted gift to another knitter: they see everything as potential material. Nothing is sacred.
In her defense, she did keep my ill-fitting sweater for a whole decade before giving it a new life. That’s a lot longer than most people keep their garments!
By the way—I love this poncho. Every time I put it on, I think of my mother and how every inch of this beautiful green yarn slid through both our fingers.
(Note: I’ve also written about this in my blog post “Gift or Burden: The Truth of the Sweater Curse.”)
This striped fisherman’s wool sweater is my second attempt at the same pattern as my mother’s botched green sweater. Only this time, I made sure to alter the shoulder pattern so that it would fit better.
I started this sweater when I was in graduate school in 2013. I knit the front and back and one of the sleeves.
Then I got pregnant and the project went into a paper Trader Joe’s bag in the closet for seven years. It wasn’t until the world shut down in 2020 that I took the sweater out of the closet and finally finished that second sleeve, the shawl-collar, and sewed it all together.
During the years between starting the project and finishing it, my body had expanded to grow a human, and then shrunk back down to my pre-pregnancy size. The world had changed. Everything had changed. But even in this new world, it felt like a kind of miracle that a project I had started almost a decade before could finally come to completion. That it could be so warm and fit me so perfectly.
During the years when my son was little, I took a long break from knitting. It was energy triage. The entirety of my focus was dedicated toward helping this tiny, wonderful being grow. Whatever was left over went to marriage, family, writing, and basic hygiene. I didn’t even have time for hair—I wore it short for years because I didn’t want to deal with it touching my face. Who cares about knitting? Not this gal!
I was so certain I would never knit again that I gave away all my yarn and needles.
But the time arrived when I felt ready to take up the needles again. It had been a while, so I needed an easy project. I borrowed some of my mom’s needles and bought a Pound of Love acrylic yarn at the local Michael’s. I knitted a gauge and then a raglan pullover for my son. I had forgotten how to knit raglan sleeves in the round, and I had to rip out the yoke four whole times before I finally got it right. I also did a sloppy job sewing in the kangaroo pockets, so the stitches are a bit visible.
But my son loves this sweater. He wears it all the time, so I quickly knit him a few more sweaters so that he can change between them. At the moment, these mom-made sweaters are all he wants to wear. As soon as they are out of the wash, he puts them on. He says he can feel my love when he wears them, like a big soft hug.
Now my son is giving me commissions.
Can I knit a sweater with stripes? Absolutely!
Can I knit a sweater for our dog? Sure!
Can I make a bear hat with ears? I’ve never knitted a hat before, but I’ll try!
This “Love” cable vest designed by Kate Chioccio took about two months to make because I kept getting the gauge wrong. I was using worsted weight yarn instead of DK yarn, so I basically had to rewrite the pattern to make it work. It still took three tries.
With this knitted shirt made from bamboo rayon, I knitted a gauge swatch and was surprised by how much it stretched after watching. I had to learn a new way of joining new balls of yarn because my usual way would leave visible scars on the front.
This shirt was originally intended for my son, but by the time I finished, we discovered that the garter stitch around the neckline and hem basically looked like ruffles, and was too feminine for him. He gave the shirt to me.
This is another project I made recently from bamboo yarn. It is a cowl using the tumbling blocks stitch. I’m very happy with how the pattern turned out, but I did not expect the bamboo yarn to stretch as much as it did! After washing and blocking, the cowl ended up one third wider than I originally intended.
I suppose what I’m saying is that making mistakes is all part of the adventure.
This is a hobby, after all. Not a job. No lives are at stake. It’s only string. I have never (that I recall) gotten so frustrated at a project that I broke into tears. I only shrug and move on. Chalk it up as a learning experience.
And I still have so much to learn!
Every time I look on YouTube or Etsy or Ravelry I see something new and inspiring I’d love to try. I have never knitted socks or mittens. I’ve never made a Fair Isle or Norwegian sweater. I’ve never done lace, or brioche, or intarsia. When did short rows become a thing? Why didn’t I learn about Magic Loop or knitting from the top-down sooner? It would have made my life so much easier!
I absolutely love how much the knitting community has grown during the past few years. It’s easier than ever to learn something new and meet new people.
When I look at these projects, I often remember where I was when I worked on them.
The car trip to the Mendocino coast that I took with my mom and son, when I started this sweater.
Sitting in my father-in-law’s garden knitting, while my husband and son swam in the pool.
Cuddling on the couch next to my son while he reads me his favorite comic book.
The apartment my husband and I first shared in Virginia.
The snow-bound cabin in the woods where my husband and I spent a winter early in our marriage.
When I look at these pieces I made, the tactile sensation of these memories are anchored into my body. Perhaps those memories are also anchored into the stitches. And so when I look at the little errors in my knitting, I don’t feel angry with myself or frustrated. I feel forgiveness and compassion for myself. They are part of the story. My story with my family. And I love them, flaws and all.
Helene Wecker’s “The Golem and the Jinni” duology is a masterful blend of historical fiction and magical realism, set against the backdrop of 1899 New York City. This series beautifully narrates the unlikely friendship between two mythical beings from disparate cultures, exploring themes of identity, belonging, and the immigrant experience.
Series Overview:
The series begins with “The Golem and the Jinni,” where we meet Chava, a Golem created by a rabbi who dies during their ocean voyage to America. Left masterless, Chava finds herself navigating the complexities of human society in New York with the innate ability to sense the desires and emotions of the people around her. Simultaneously, a Jinni named Ahmad is released from a thousand-year imprisonment in a flask by a tinsmith in Little Syria, on the other side of the city. Unlike Chava, Ahmad is fiery and impulsive, bound only by the iron cuff that restricts his true powers.
As these two supernatural beings cross paths, their contrasting natures lead to a deep, reflective friendship. Through their nocturnal explorations of the city, Chava and Ahmad share their experiences as immigrants and magical entities trying to find their place in a bustling human world.
Plot Details and Character Development:
In the first book, “The Golem and the Jinni,” the narrative weaves through the streets of turn-of-the-century New York, from the Jewish quarters of the Lower East Side to the coffeehouses of Little Syria. The intricate details of these neighborhoods enrich the story, providing a vivid setting for the characters’ journeys. Chava’s struggle with her nature as a Golem programmed to obey and Ahmad’s fiery desire for freedom and past memories make for compelling contrasts.
The sequel, “The Hidden Palace,” continues their story, deepening their interactions with new characters and each other as they face challenges that test their abilities and ethical boundaries. The narrative expands to include the machinations of a dark sorcerer, introducing new layers to the folklore and history interwoven through the series.
Themes and Impact:
Wecker’s duology is lauded for its thoughtful portrayal of the immigrant experience through the lens of folklore. The characters’ struggles with freedom, control, and cultural displacement resonate with the broader history of American immigrants. Additionally, the friendship between Chava and Ahmad offers a poignant exploration of how opposites can find common ground through mutual respect and shared circumstances.
The series also delves into themes of love, danger, and the moral complexities of using one’s powers verses the safety of integration, making it a rich tapestry of genre-blending narrative that appeals to fans of fantasy, history, and culturally rich tales.
Conclusion:
“The Golem and the Jinni” duology is not just a fantasy series; it’s a profound exploration of what it means to be different and yet so deeply interconnected. Wecker’s ability to mesh cultural folklore with the American immigrant narrative creates a compelling saga that is both enchanting and thought-provoking. For those enchanted by narratives that combine magical elements with historical settings, Helene Wecker’s series offers a beautiful, intricate look at life through the eyes of its mystical protagonists.
If you enjoy stories that blend folklore with real historical contexts, this duology promises to captivate and inspire. Dive into this magical recreation of New York City and discover the rich tapestry of stories that await.
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This blog post includes text and images generated with the assistance of OpenAI’s models. I provided detailed prompts, curated the outputs, and made edits, but the majority of the content was created with AI assistance. This disclosure aligns with my commitment to transparency under the EU AI Act.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Portions of this content were generated using OpenAI’s models, with significant curation, editing, and creative input by E. S. O. Martin. AI-generated portions may not be subject to copyright under current laws.