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Rod, the Rodzanice, and Dola: The Slavic Guardians of Family, Ancestors, and Fate

Rod, god of family, life, ancestors, and our connection to the past, present, and future

In pre-Christian times, one of the supreme Slavic gods was Rod. Known as the god of family, ancestors, and fate, Rod’s influence permeates the very fabric of societal and familial bonds, weaving together the past, present, and future of human lineage.

Rod is often described as the progenitor of the gods and humans alike, making him a pivotal figure in Slavic mythology. Rod’s presence is felt in the familial ties that bind generations, in the unseen threads that guide fate, and in the natural cycles that govern existence.

Rod: A Gentle Gardener in the Nursery of New Souls

Rod, plucking a new soul from the World Tree. The soul is ready to be born (reborn) on Earth.

Rod was envisioned as a gardener of new souls in Prawia (the land of gods and unborn souls), tending to nascent spirits that grew like fruits on the branches of the World Tree. This aspect of his diety underscores his role in nurturing new life and preparing newborn spirits for their journey to the new world.

When a soul was ready to be born on Earth, Rod would summon a bird — often a stork — to carry this new soul to its new family, planting it like a seed in the quickening womb of its mother.

A child’s first haircut — which sometimes happened as late as twelve years old, and was seen as an important rite of passage — was often dedicated to Rod, in thankfulness for his role in nurturing their spirit. This ceremony symbolizes the passing of a child from the innocence of infancy into the community of their ancestors, under Rod’s benevolent watch. The act of offering hair, a part of oneself that continues to grow and regenerate, is symbolic of the life cycle’s continuity and the renewal of familial and societal bonds.

Rod’s worship was distinct in its emphasis on non-blood sacrifices, reflecting his non-violent nature and his role as a nurturer rather than a warrior. 

The Rodzanice: Slavic Guardians of Destiny

Rodzanice, the Slavic weavers of Fate

Rod’s three daughters were the Rodzanice. Known as the Slavic version of the Three Fates, these divine sisters shaped the lives of newborns, weaving the threads of destiny with unmatched precision and care. Each sister played a distinct role in determining the course of a child’s life, ensuring that the intricate balance between body, fate, and personality is meticulously crafted.

Rozhanitzy: The Giver of Life

The first of the trio, Rozhanitzy, is charged with kindling the spark of life within the newborn. Her blessings focus on the child’s physical attributes, fortifying their health and vitality. It is under her watchful eye that a child gains the strength needed to endure life’s challenges, ensuring that they start with a robust foundation of wellness. Her influence is seen as crucial for the survival and physical development of the child, setting the stage for a life filled with potential.

Narucznica: The Weaver of Fate

Narucznica, the second sister, holds the delicate task of naming the child and crafting their dola, or guardian spirit. This spirit embodies the child’s destiny, closely linked to their family’s heritage and profession. 

Dola, derived from the Slavic root word for ‘fate’ or ‘portion’, represents the positive aspect of a person’s destiny. It is believed to be a protective spirit that follows an individual from birth, shaping opportunities for prosperity, happiness, and success. Each person’s Dola is unique, tailored to their life’s potential and familial lineage, often reflecting the virtues and vocation inherited from ancestors.

For example, a child born into a family of skilled craftsmen might find that their Dola facilitates a natural aptitude for similar skills. This spirit ensures that the individual not only inherits these abilities but also the necessary circumstances to develop and excel in them, thus perpetuating the family’s legacy.

But a Dola might have a darker side, sometimes called a Niedola. This aspect of fate could be associated with misfortune, loss, and the challenges that one might encounter throughout life. Niedola is not necessarily evil; rather, it serves as a counterbalance to Dola, reminding individuals that life’s journey is a blend of good and bad experiences. It challenges people to grow, adapt, and overcome, adding depth to the human experience.

A poignant example of Niedola’s influence can be seen in the life of a merchant whose travels are fraught with perils. While his Dola might bring him to prosperous lands rich with trade opportunities, his Niedola might simultaneously expose him to risks of piracy or trade disputes, testing his resilience and wisdom.

Dola/Niedola: A Spirit that Guided a Person in Achieving Their Destiny

Udelnica: The Arbiter of Fortune

The final sister, Udelnica, molds the child’s personality and determines the nature of their fortune—whether they will tread a path marked by grace or face hurdles that test their spirit. Her judgments influence how the child interacts with the world and their dola or niedola, shaping their character and the moral and ethical dilemmas they will navigate throughout life. Udelnica’s influence is perhaps the most profound, as a person’s attitude colors the everyday experiences and choices that define a person’s essence.

The duality of Dola and Niedola reflects a deeply philosophical aspect of Slavic culture: the belief in a predestined path that is continually shaped by personal choices and external challenges. This concept underscores the Slavic worldview that life is a dynamic interplay of fate and free will, where destiny is both a given and a construct.

The Midnight Ceremony

The arrival of the Rodzanice is a momentous occasion, shrouded in ritual and reverence. They visit on the third midnight following a child’s birth, a time when the veil between the mundane and the magical is thin. To honor these powerful deities and secure their favor, families dress their newborns in white—a symbol of purity and openness—and prepare a lavish feast to welcome the celestial guests. The family then retreats, leaving the space for the Rodzanice to perform their sacred duties undisturbed.

Rod’s Birds Guide Souls to the Afterlife

Rod, sending out his birds to help guide souls to the afterlife.

One of Rod’s caretaking duties involved guiding deceased souls to their rightful place in the spiritual realm, ensuring that the cycle of life and death proceeded in harmony. This role highlights his compassionate and protective nature, qualities that endear him to those who look beyond the veil of life.

Once again, birds are are an important feature in Slavic folklore. It was believed that when a person died, their soul soul transformed into that of a bird, and wandered the earth for up to forty days before they found their way to the trunk of the World Tree. The passage to the afterlife involved crossing a boundary, and overcoming a series of challenges.

This journey was sometimes seen as crossing a river, traversing a dense forest, or moving through a misty veil separating the worlds.

The Slavs believed that the afterlife was a paradise called Nawia (or Nav), which resided beneath the roots of the world tree. To some, Nawia was believed to be in a land far beyond the sea, at the end of the Milky Way. The gate to Nawia was believed to through the water of distant oceans, down into a whirlpool, and on one of the branches of the cosmic World Tree. In some tales, the gate to Nawia was guarded by Veles or his dragon Zmej to keep demons out of Nawia, thus ensuring that the afterlife would be a place of peace and happiness. In other tales, the gate was guarded by Raróg, a Svarog’s falcon made of fire.

Nawia was also seen as part of a cyclical journey, much like the changing of the seasons or the migration of birds, which were seen as messengers or guides between world. In many ways, Nawia was seen as a place where souls could go to rest, away from the trials of the mortal realm. For some souls, Nawia was a permanent residence—their final resting pace after a good life lived on Earth.

For others, Nawia was a rest stop as they awaited rebirth. Their souls would travel through the World Tree and back up to the fruiting branch in the garden of new spirits in Prawia that Rod tended. There, the souls would be await to be reborn into their new life.

Rod, the Rodznicy, and Dola

In today’s understanding of Slavic mythology, Rod remains a symbol of unity and continuity. His legacy is not just in the myths and rituals but in the underlying values they represent—family, continuity, and the cyclical nature of life and fate. As modern societies grapple with rapid changes and the erosion of traditional values, Rod’s teachings offer a reminder of the importance of maintaining loving connections with our past and future generations. We can forgive and learn from past generations as we seek to nurture and provide the best possible future for generations yet to come.

The legacy of the Three Rodzincy, and the concepts of the Dola and Niedola also continues to resonate, providing a framework for understanding the complexities of human fate and the perennial dance between fortune and adversity. These spirits remind us that while we may seek to steer our lives towards success and happiness, we must also be prepared to face and learn from the obstacles that shape our character and destiny. In embracing the lessons of Dola and Niedola, we acknowledge the full spectrum of experiences that define our existence, fostering a deeper appreciation for the journey and its myriad teachings. It is often our attitudes that determine whether we see life’s inevitable challenges as opportunities for growth.

If you liked this blog post, consider signing up for my Reader’s Club to learn more about Slavic folklore, to get book recommendations, and hear updates on my works in progress.

UPDATE — This blog post includes text and images generated with the assistance of OpenAI’s models. I provided detailed prompts, curated the outputs, and made edits, but the majority of the content was created with AI assistance. This disclosure aligns with my commitment to transparency under the EU AI Act. Disclosure added on November 18, 2024 to align with transparency requirements under the EU AI Act.

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Portions of this content were generated using OpenAI’s models, with significant curation, editing, and creative input by E. S. O. Martin. AI-generated portions may not be subject to copyright under current laws.

Book Review: “Gilded” and “Cursed” by Marissa Meyer

Blessings and Curses: The Power of Stories

Marissa Meyer’s duology, “Gilded” and “Cursed,” breathes new life into the classic tale of Rumpelstiltskin, transforming it into a richly imagined young adult fairy tale romance. These novels dive deep into a world where ancient myths blend seamlessly with modern sensibilities, including diverse characters and contemporary themes.

In Gilded, we meet Serilda, a gifted storyteller whose ability to weave fantastical stories is both a blessing and a curse. Her wild fantasies captures the attention of the malevolent Erlking, a sadistic entity who wishes her to spin straw into gold. While trapped in the Erlking’s dungeon, Serilda receives help from Gild, a poltergeist with no memory, who has the actual ability to weave straw into gold. Neither of them expect their simple business transaction to turn into real love.

Cursed picks up the threads of Serilda’s journey as she grapples with the consequences of her storytelling and the harm it has caused to those she loves. She and Gild walk the a fine line as they seek to discover the secrets of their ghost-filled castle without incurring the Erlking’s wrath. But when they discover that the Erlking seeks to bring back a diety even worse than himself—his beloved huntress—Serilda must learn to tell the ultimate story in order to save herself, her family, and the world.

What I Loved About the Series:

Meyer’s “Gilded” and “Cursed” standout for their dynamic world-building that respects the original fairy tale while updating its elements to reflect contemporary values. The inclusion of diverse characters—gay characters, female warriors, and gods with they/them pronouns—adds layers of depth and relatability to the narrative.

I also appreciated Serilda’s internal conflict, her gift for storytelling seen both as a blessing and a curse. Her journey reflects the power of narratives in shaping realities and the moral responsibilities that come with such power. As she transitions from dreaming to doing, Serilda’s growth mirrors the path many find themselves on—navigating the complexities of their talents and the impacts they have on the world around them.

If you’re captivated by fairy tales reimagined with depth, diversity, and modern twists, “Gilded” and “Cursed” are must-reads. 

Join my newsletter for more reviews like this and stay updated on my upcoming works, including a series on Slavic spirits that brings mythical tales to life with a similar blend of tradition and transformation. Together, let’s dive deeper into stories that move and mold us, and discover how ancient tales can reflect and enrich our contemporary world. Join now and be part of a community that cherishes every word of the journey.

UPDATE — This blog post includes text and images generated with the assistance of OpenAI’s models. I provided detailed prompts, curated the outputs, and made edits, but the majority of the content was created with AI assistance. This disclosure aligns with my commitment to transparency under the EU AI Act. Disclosure added on November 18, 2024 to align with transparency requirements under the EU AI Act.

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Portions of this content were generated using OpenAI’s models, with significant curation, editing, and creative input by E. S. O. Martin. AI-generated portions may not be subject to copyright under current laws.

Book Review: The Lunar Chronicles by Marissa Meyer

When Fairy Tales and Science Fiction Collide: From Cinderella to Snow White

“The Lunar Chronicles” is a captivating series by Marissa Meyer that reimagines classic fairy tales in a futuristic world where humans, cyborgs, and supernatural Lunars intertwine. The series skillfully combines science fiction with fantasy, weaving each tale into a larger, cohesive narrative that culminates in a thrilling finale where a gang of unlikely young heroes strive to overthrow a tyrannical government.

Book 1: Cinder: The series kicks off with a futuristic twist on Cinderella. Cinder, a cyborg mechanic in New Beijing, finds her life intertwined with Prince Kai’s and discovers startling secrets about her past that will alter her future forever.

Book 2: Scarlet: Inspired by Little Red Riding Hood, this book introduces Scarlet, a bold French farmer who embarks on a quest to find her missing grandmother with the help of Wolf, a street fighter with deep secrets. Their adventure leads to perilous discoveries and a blossoming romance.

Book 3: Cress: Retelling the story of Rapunzel, Cress centers on a brilliant hacker who has been trapped on a satellite. She is rescued by Captain Carswell Thorne, and together they embark on a mission that challenges both their destinies.

Book 4: Winter: The final book wraps up the series with a reimagining of Snow White. Princess Winter and her loyal guard, Jacin, join Cinder and her allies to confront Queen Levana.

Fairest: Although a prequel to “The Lunar Chronicles,” “Fairest” delves into the backstory of Queen Levana, portraying her as a damaged and lonely princess, before she became the notorious Queen seen in the series.


Stars Above: A collection of short stories set in the world of the Lunar Chronicles. This anthology deepens the backstory and futures of beloved characters from the series. It includes tales like “The Keeper,” exploring Scarlet’s grandmother’s protection of Cinder, and “The Queen’s Army,” which reveals Wolf’s origin. The collection also features “The Mechanic,” detailing Cinder’s meeting with Kai, and “Something Old, Something New,” a charming epilogue wrapping up the series with a festive gathering. This collection is a must-read for fans, offering new insights and filling the gaps left by the main series.

Marissa Meyer’s series will enchant readers who enjoy fresh takes on classic tales, particularly those who appreciate a blend of science fiction, romance, and adventure. Each book maintains its own narrative arc while contributing to the series’ overarching plot, making it a compelling read for fans of character-driven stories.

Each book in “The Lunar Chronicles” not only pays homage to its fairy tale origins but also expands the story in unique and intriguing ways. Meyer’s integration of romance, personal growth, and heroic quests against the backdrop of a richly built world makes for an enthralling series. The evolution of Cinder from a mechanic to a revolutionary is particularly well-executed, embodying the series’ theme of self-discovery and empowerment.

If you’re captivated by tales that blend the magical, consider subscribing to my Reader’s Club newsletter for more reviews, sneak peeks at my works in progress, and exclusive insights into the myths and legends that inspire our favorite stories. Whether you’re a fan of fairy tales, fierce heroines, or futuristic settings, join us as we explore new worlds together.

UPDATE — This blog post includes text and images generated with the assistance of OpenAI’s models. I provided detailed prompts, curated the outputs, and made edits, but the majority of the content was created with AI assistance. This disclosure aligns with my commitment to transparency under the EU AI Act. Disclosure added on November 18, 2024 to align with transparency requirements under the EU AI Act.

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Portions of this content were generated using OpenAI’s models, with significant curation, editing, and creative input by E. S. O. Martin. AI-generated portions may not be subject to copyright under current laws.

Devana, Goddess of the Wilderness

She Who Runs With Wolves

Devana, Slavic goddess of the hunt, of forests, of wild animals

Known as the goddess of the hunt, forests, and wild animals, Devana is often depicted as the Slavic counterpart to the Roman Diana or the Greek Artemis. Her domain is the untamed wilderness, where she reigns with agility and grace, her presence echoing through the rustling leaves and the quiet steps of forest creatures.

The Essence of Devana

Devana, Slavic goddess of the wilderness

Devana is portrayed as a fierce warrior and protector, her figure often accompanied by the symbols of her reign—the bow and arrow and wolves—emblematic of her role as a huntress. Her connection to the forest is not just one of dominion but also of guardianship. She is the spirit of the wild, nurturing the flora and fauna that thrive under her watchful eyes. Her followers, ancient Slavs who depended on the woods for survival, revered her, seeking her blessings for successful hunts and protection from the perils of the wilderness.

The Dziewonie: Devana’s Handmaidens

Devana and her Dziewonie, forest nymphs

Accompanying Devana are the Dziewonie, forest nymphs who serve as her handmaidens. These ethereal beings share Devana’s deep connection with the natural world. The Dziewonie often resided deep in forest glens, looking after bison, aurochs, and deer. 

The Dziewonie also play a critical role in maintaining the balance between human agricultural pursuits and the wilds of the forest. They were keenly aware of the diseases that can afflict livestock, often acting as intermediaries to prevent such ailments from spreading to the forest animals. This protective role makes them vital in Slavic myths, embodying the symbiotic relationship between humans and nature.

Devana: Our Lady of Thunder Candle

Devana, Our Lady of Thunder Candle. Bringing Light to the Darkness.

Devana’s tales often depict her roaming the dense forests on moonlit nights, her path illuminated by the glow of her torch, symbolizing enlightenment and the eternal hunt. She embodies the primal and untamed aspects of nature, reminding us of the wild’s raw beauty and its unforgiving, cyclic nature.

In some interpretations, the Slavic Goddess Devana became known as Our Lady of Thunder Candle. Her glowing torch became a powerful candle whose light could protect people from wolves, from lightning strikes, and could ward off storms. The melted wax from these candles was said to tell the future. 

On February 2nd, people would attend church and take these blessed candles home with them. These blessed candles were also brought out and lit when a person was sick or on their deathbed, so that it’s light could help guide a person through their current darkness into the light.

Devana and Marzanna

Devana, goddess of the forest, and Marzanna, goddess of magic.

Devana and Marzanna were two independent goddesses in Slavic mythology, who were sometimes mistaken for each other because they both are often depicted with the moon.

Devana was seen as the untamable wild woman, concerned with nature, with healthy forests, and with the hunt. Marzanna was a goddess of winter, magic, and witchcraft. Both were powerful figures that inspired fear and awe.

How The Independent Devana Came to Marry Veles

One of the stories of Devana was that she was so powerful and fiercely independent that she attempted become the supreme goddess of the World Tree and all existence. Devana and Perun, god of the overworld, had an epic battle, and Perun chased her all throughout the heavens and the earth. Devana was a shape-changer. In their battle, she transformed into a lioness, a wolf, a hawk, a fish. At last, Perun’s eagle caught Devana.

In hopes of punishing both Devana and Veles (Perun’s other nemesis), Perun forced them to marry each other, thinking the two of them would make each other miserable for all eternity.

Devana and Veles fell in love over their mutual concern for forests and animals

The last laugh was on Perun, however. Veles wooed Devana by transforming into a basil flower, and with the fact that he did not seek to squash her independence. The two of them also held a mutual interest in the health of forests, livestock, and wild animals. Veles made Devana his queen of the land of Nawia, and the two of them had an amiable partnership.l.

Cultural Significance

Today, Devana’s legacy lives on as a symbol of environmental conservation and natural balance. She inspires a reverence for the natural world, urging modern societies to remember the ancient wisdom that speaks of harmony with nature. 

In an age where the wilderness continually recedes before the march of civilization, remembering and revering these deities can remind us of the crucial balance between human needs and the health of our planet.

Devana, with her indomitable spirit and her commitment to the wild, invites us to explore, respect, and protect the natural world, ensuring that the forests she loves so dearly continue to thrive and enchant for generations to come.

If you would like to learn more about Slavic mythology, consider signing up for my Reader’s Club. Reader’s Club members will be notified whenever there is a new entry in my Slavic Spirits series, and will also receive monthly-ish emails with book reviews, updates on my works in progress, and other fun stuff.

UPDATE — This blog post includes text and images generated with the assistance of OpenAI’s models. I provided detailed prompts, curated the outputs, and made edits, but the majority of the content was created with AI assistance. This disclosure aligns with my commitment to transparency under the EU AI Act. Disclosure added on November 18, 2024 to align with transparency requirements under the EU AI Act.

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Portions of this content were generated using OpenAI’s models, with significant curation, editing, and creative input by E. S. O. Martin. AI-generated portions may not be subject to copyright under current laws.

Veles: Shapeshifter God of Earth, Magic, and the Underworld

Veles: The Enigmatic Shapeshifter of Slavic Mythology

Veles, sitting on his throne at the roots of the World Tree

In the shadowy depths of Slavic lore, Veles emerges as a figure shrouded in mystery and magic. If Perun was the god of the sky, then Veles was the god of everything underneath it.

Veles was the protector of creatures of the earth, of water, of the forests, of livestock, and of wealth. 

Where Perun’s favorite tree was the hard and steadfast oak, Veles’s favorite tree was the bendable willow. 

Veles’s favorite animals were the wolf, the bear, the snake, the owl, and the dragon.

Veles, protector of livestock

Every year, Slavic people celebrate Veles during midwinter, between February 11th and February 24th. The Festival of Veles corresponds to the “Day of Saint Blaise,” who was the protector of cattle. After Christianization, worship of Veles transformed into worship for Saint Blaise.” In honor of Veles, people might pray for good health, and bless candles apples in hopes that they would protect them from diseases. Some of these blessed apples would also be fed to cattle, in order to protect the animals throughout the remainder of winter.

Trickster and Shapeshifter

Veles and Zmej, his dragon

Veles’s most striking ability was his shapeshifting prowess. Legends tell of his transformation into a myriad of forms — from the magestic dragon, coiled in a nest of wool at the roots of the World Tree, into a bear, or a snake, or even a person. The capacity to change form speaks to Veles’s mastery over the natural world and of magic.

Much like Hermes and Loki (of the Greek and Norse mythologies), Veles is a trickster. His tales often involve cunning schemes and clever escapes (particularly after having pulled some prank on Perun). Many of Veles’s transformations seem to show that he has a sense of humor (for example, changing into a pair of underwear hanging on a clothesline in order to hide from Perun after having stolen Perun’s thunderbolt).

This aspect of his character highlights the complexity of Veles’s nature, combining cunning with deceit, creation with destruction.

The Woolen Dragon

Veles, god of the underworld, and Zmej, his dragon

The imagery of Veles as a dragon lying in a nest of wool is rich with symbolism. Wool, a crucial resource, represented wealth, warmth, and protection—particularly in an ancient Slavic society that had to withstand dark, cold winters. Veles’s association with it underlines his role as a guardian of prosperity and comfort, even in the darkest recesses of the underworld.

Alternatively, Veles is sometimes portrayed as having a pet dragon. This dragon, Zmej, was sometimes tasked with sitting on one of the roots of the World Tree and guarding the entrance to Nawia, the Slavic afterlife.

Veles’s connection to the dragon might also be related to his affinity to transform into a snake. Snakes are creatures of transformations in general. They shed their skins, they on the ground but can climb trees, and when the land is warm the reemerge from their winter hibernation.

God of Music and Magic 

Veles and Zmej, during their Hair Band phase

As the god of magicians and magic, Veles holds sway over the mystical forces that permeate the Slavic world. His connection to the arcane arts places him as a patron deity for those who seek to move emotions, bring wonder, or see beyond the veil.

God of the Underworld

Veles, God of water and the underworld

Veles’s narratives encapsulate the essence of nature’s dualities — life and death, growth and decay, order and chaos.

While one aspect of him presides over the waters, the forests, and the fertile earth, he is also seen as having another solemn role: as the guardian of the underworld.

It is said that Veles is the supreme god over the land of Nav, which was a kind of upside down world that lay beneath the roots of the World Tree.

Some Slavs believed that you could enter Nawia through portals deep beneath the water, which was why people would sometimes pray to Veles to protect the souls of those who had died by drowning.

Nawia was portrayed as a vast green pasture, surrounded by water. This was a paradise where souls would go to rest and recuperate before choosing to be reborn to Earth, or to ascend to Prawia, the land of gods and unborn souls, before being reborn into Yawia, the land of the living.

Veles and Devana, goddess of the wilds

In many stories, Veles and Perun are portrayed as rivals in their mutual courtship of Mokosh, the goddess of the earth and the harvest. Veles and Perun also had a joint-custody arrangement in parenting Mokosh’s twin children, Jarilo and Marzanna.

But in some stories, Veles is the husband of Devana, the goddess of the hunt, the forest, and the wilds. Devana was a fiercely independent goddess, but Veles successfully wooed her by turning into a basil flower. The couple bonded over their mutual love of the forest and the wild.

Veles and Devana

Discovering the Many Faces of Veles

Veles is a complicated god who invites us to see beyond strict binaries of good and evil. He is a protector and a trickster who seems to delight in crossing boundaries.

If you would like more information on Slavic lore, please consider signing up for my Reader’s Club to get book reviews, updates on my works-in-progress, and monthly-ish notifications whenever I have a new entry in my Slavic Spirits series.

UPDATE — This blog post includes text and images generated with the assistance of OpenAI’s models. I provided detailed prompts, curated the outputs, and made edits, but the majority of the content was created with AI assistance. This disclosure aligns with my commitment to transparency under the EU AI Act. Disclosure added on November 18, 2024 to align with transparency requirements under the EU AI Act.

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Portions of this content were generated using OpenAI’s models, with significant curation, editing, and creative input by E. S. O. Martin. AI-generated portions may not be subject to copyright under current laws.

Book Review: The Book Thief by Markus Zusak

Stealing Hope: The Story of The Book Thief

The Book Thief by Markus Zusak is the story of Liesel Meminger, a girl on the cusp of puberty, living with foster parents, the Hubermanns, in Nazi Germany. The book is narrated by Death, as he jumps back and forth through narrative time.

It is hard to comprehend the horrors of war. What this book attempts to do is step away from the atrocities and war crimes of World War II—which can sometimes seem too huge and horrible to understand—and it seeks to shrink the impact down to the size of one little girl.

This book is written for a young adult audience in mind, and is probably the kind of book that would be assigned in class as part of a World War II unit in junior high or high school. The atrocities of the Holocaust are mentioned, but the book does not go into graphic detail about it. There is a sense of Bad Things happening in the background—bad things are happening to other people—but the horror is never really experienced as a first-person event, as it is in Anne Frank’s diaries, or in Elie Wiesel’s Night. It’s more intellectual and poetically sad—rather than visceral.

To be honest, I have mixed feelings about this book.

On the one hand, The Book Thief is beautifully written. Without a doubt.

I sympathized with Liesel and the Hubermanns. I felt for the powerlessness of Max Vandenberg, the Jewish fist-fighter that the Hubermanns hid in their basement. I felt for Rudy Steiner, Liesel’s friend. In a lot of ways, these characters were stuck between a rock and a hard place and had no good choices.

But I’ll admit, it was hard for me to read this book. As a Polish-American with living family members who survived Auschwitz, reading about how hard WW II was for these fictional German characters felt a bit disloyal to me.

My real-life family fought in the Polish resistance. I had family members who were killed by Nazis. My family survived the concentration camps and suffered greatly under their German and Russian occupiers. Where is the sympathy for them?

What was redeeming about The Book Thief is that it shows how hard it is to be a moral person and to feel like you are having a good impact when your government is doing terrible things. Sometimes, the whole world goes sideways, and very few of us actually have any power or control in making it better, other than small acts of resistance. For Liesel, her small act of resistance is in stealing books, and in protecting Max Vandenberg and his story.

When I look to the world we currently live in and the heartless choices our own governments make, I have to admit, I feel a little bit powerless and overwhelmed. The humanitarian crisis at our boarders. The wars. The bombings. The terror. The global warming. The overfishing. The factory farms. What power do I have to change these horrible things?

I have voted in every election since I turned 18, but my vote has usually gone to the losing side. Sometimes I feel like my tiny little voice is inconsequential, that nobody cares. I often feel baffled by the choices and attitudes of my fellow Americans.

Books like The Book Thief are a reminder that doing something is better than doing nothing. Any act of resistance is better than being silent and complacent. So I continue to vote. I continue to support causes I believe in.

I continue to eat vegan, because that single choice has the largest real-world impact on my health, on the environment, on feminism, and in the ethics of how we treat animals and other people.

It’s important for my own sense of integrity to feel like I’m doing something.

Because not doing so would feel like giving up.

If cynicism is complacent obedience to The Man, then optimism is civil disobedience.

I refuse to give up, because I believe future generations deserve better. When my future grandchildren come up to me and ask what I did to try to stop the world from burning, I will not be like those complacent Germans in the 1930s and 1940s who did nothing because they “had no idea.” My acts of resistance make it easier for me to look myself in the mirror.

Thank you very much for reading this review of ‘The Book Thief.’ If you would like to be notified about more reviews like these, or if you would like to get updates about my own works in progress, please consider signing up for my Reader’s Club newsletter.